
Expand
Love Left the Masquerade: Peter Medak's Cinema of Pretenders
no Production Countries found
- 2025-06-17
- ▪Documentary
- ▪ 0h-14m
10%
10%
Score
- Add to list
- Mark as favorite
- Add to your watchlist
- Rate It!
- Play Trailer.
Playing at games, acting out names, guessing the parts they played
Overview
Peter Medak's films toy with notions of cosplay, masquerade, gamesmanship, and how power and permission structures figure into these human diversions. His filmography includes The Ruling Class (1972), The Changeling (1980), A Day in the Death of Joe Egg (1971), The Krays (1990), and others, all which capitalize on these ideas. Sanity is fragile, ephemeral, and suspended from a very thin tether in all his films. This piece gets to the bottom of why Medak centers his work on such themes, and why they carry biographical weight for him personally.
Lorem ipsum, dolor sit amet consectetur adipisicing elit. Debitis repudiandae quam recusandae minus optio labore saepe nemo facilis aliquid accusamus!

Recommendations
|
Released
not found
No budget found
no revenue
Keywords
Content Score
10
Oops! Grow your score to improve.
Top Contributors

343
Hossain
270
TeslaCoil























